论文部分内容阅读
自1993年以来,我有幸随河南豫剧艺术代表团或应国光豫剧队之邀,三次到台湾演出。通过和他们生活上的接触,艺术上的交流,对他们有了许多的了解,建立了深厚的友谊。这里,我就谈几点自己的感受。一、我们知道,任何一门艺术的繁荣、发展、光大都离不开孕育它、产生它的母体的滋养,否则,就成了“无源之水,无本之木”。而豫剧在台湾却创造了艺术发展史上新的神话。作为一个外来的艺术品种,在那片贫瘠的艺术土壤上奇迹般地扎根、发芽、开花、结果,在几十年不与
Since 1993, I have had the honor to perform in Taiwan three times with the artistic delegation of Henan Yu Opera or at the invitation of Guoguang Opera Group. Through their life contacts and artistic exchanges, they have gained a lot of understanding and established profound friendship. Here, I will talk about my feelings. First, we know that the prosperity and development of any one art can not be separated from the nurturing of its mother and its mother. Otherwise, it becomes a “water of no origin and a tree of innocence.” However, opera in Taiwan has created a new myth in the history of art development. As a foreign art species, miraculously rooted in the barren art soil, germination, flowering, the result, in decades and not