明清时期,小说编创与评点始终处在一种交互影响的动态发展过程之中。以世情小说为例,其“末流”艳情小说的编创就是在“先师不删郑卫”、“以欲写情”和“以淫止淫”等编创理念的指导下进行的;其“异流”才子佳人小说虽力戒艳情小说编创的弊端,却又在不同程度上偏离了世情小说的写实原则,引起了不少评点者的不满与批驳,致使此后的作者在描写才子佳人的风流韵事时自觉地涉笔世情,杂糅战争、侠义、艳情等内容,导致了该类小说文体的变革;至于世情小说的“主流”《醒世姻缘传》、《红楼梦》等,则以“描摹世态,见其炎凉”为旨趣,以写真实、合情理为原则,理论与实践相辅相成,终于将该类小说的创作推向了前无古人的艺术高峰。可见,小说编创与评点的互动,对小说创作史与评点史均产生了实质性的影响。 During the Ming and Qing Dynasties, the compilation and commenting of novels always stood in a dynamic process of interaction. Taking the world novels as an example, the compilation of his erotic novels of “Endless Flow” is based on the idea that “the teacher does not delete Zheng Wei”, “wants to write love” and “ Under the guidance of its ”extraordinary“ The writer’s spontaneous involvement in the worldly affairs, the hybridization of war, chivalry, erotic and other content led to the transformation of such novels. As for the ”mainstream“ and ”Awakening Marriage“ of world novels, ”Dream of Red Mansions“ and others are based on the idea of ​​”depicting the state of the world and seeing its infantilism". Taking the principle of truthfulness and fairness as a principle, the theory and practice complement each other and finally pushed the creation of such novels to an unprecedented peak in art. Can be seen that the novel compilation and comment on the interaction of the novel creation history and comment history have had a substantive impact.