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《苹果》无疑是李玉迄今为止最优秀的一部作品,它采用的是李玉最为擅长的写实主义叙事手法(李玉希图在《二次曝光》中进行先锋实验叙事的探索和突破,但显然是一次不成功的尝试),也凸显出李玉在《今年夏天》《红颜》中就已确立的艺术个性:女性视角,底层关注,冷酷风格,边缘立场。电影在不动声色的故事呈现和讲述之中,审视着现代社会中在欲望、物质和金钱权力挤压下当代人的情爱行为,描摹出一幅消费时代的性爱症象。
“Apples” is undoubtedly the most outstanding piece of Li’s works so far. It adopts the most realistic realistic narrative style of Li Yu (Exploration and Breakthrough of Li Yu-xi-xiu’s Pioneer Experimental Narrative in “Double Exposure” Is an unsuccessful attempt). It also highlights the artistic personality that Li Yu has established in The Beauty of the Summer: female perspective, bottom concern, cold style and marginal position. The movie presents and narrates in its vivid stories, examines the modern society in the desperation, material and money power under the pressure of contemporary people’s love behavior, depicting a consumer era of sexual disorders.