1913年5月29日,首演于巴黎香榭丽舍剧院的《春之祭》拉开了一场向传统宣战的帷幕。当一群扎着长辫的俄罗斯少女拧着内八字腿上蹿下跳时,前卫怪异的舞蹈设计,嘈杂刺耳的乐器嘶叫、犀利诡异的和声以及令人崩溃的节奏大声宣告了一场离经叛道的宣言。除了轰动,首演所引发的骚乱,几乎成为当时音乐界与舞蹈界津津乐道的重要事件。时至今日,《春之祭》已被奉为现代音乐和 On May 29, 1913, the Spring Festival, premiered at the Champs-Elysees in Paris, opened the curtain on the war on tradition. When a group of Russian teenage girls with long braids wriggled and jumped over their inner beaks, a weirdly eccentric avant-garde dance design, noisy harsh instrument neighing, sharp strange harmony and a collapsing rhythm loudly proclaimed an outrageous declaration. In addition to the sensation, the unrest caused by the debut almost became an important event for the music industry and the dance industry. Today, “Spring Festival” has been regarded as modern music and