随着时代的发展,我们所熟知的“小人书”已渐渐淡出视线,年轻人看到的更多的形式是动漫、卡通和绘本,虽然它们都属于连环画的范畴,但是“连环画”这个概念越来越模糊,甚至有人担心连环画是否面临消亡。在这样一个时代背景下,“架上连环画”观念的提出实属历史玉成。这个“大连环画”的新概念以新的视角重新审视连环画的内涵和外延,从审美境阈的深度与广度探究在新的时代语境下,连环画在语言和图式上的革新与创 With the development of the times, we are familiar with the “little book” has gradually faded out of sight, young people to see more of the forms are anime, cartoons and picture books, although they belong to the category of comic books, but “comics ”This concept is getting blurred, some people even worried about whether the comic is facing demise. In such a time background, the proposition of “frame comic” is actually a history. This new concept of “Dalian Ring Painting” reexamined the connotation and extension of the comic strip from a new perspective. From the depth and breadth of aesthetic threshold, we explored the innovation and creation of the comic strip in language and schema under the new age context