取典于中国的《山月记》和《李陵》是日本作家中岛敦的代表作品。其人物角色虽然都体现了强烈的自我意识,但是均在“绝对他者”的面前出现了不同程度的瓦解。然而通过比较分析,可以发现作者并不是以创作悲剧的态度来进行作品叙述的,从化身成虎的李征和与李陵成对比态势出现的司马迁及苏武身上,都可以使我们透过一层浓厚的悲凉窥视出一个充满希望的方向,即自我意识的再生和自我价值标准的重新确定,这也是中岛敦自我意识的归途。 The “Moonlight” and “Li Ling”, which were collected in China, are the representative works of Japanese writer Nakashima Tadashi. Although their characters have shown a strong sense of self, but in the “absolute other ” in front of varying degrees of collapse. However, through comparative analysis, we can find that the author did not narrate the works in the tragedy attitude. From Li Zheng, an embodiment of the tiger, and Sima Wu, who appeared in contrast with Li Ling, they can make us through a thick layer The sadness peeps out a promising direction, namely, the regeneration of self-consciousness and the redefinition of the self-worth standard, which is also the return of Nakajima-ku’s self-awareness.