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自由富饶的社会环境,对于艺术创作,往往不是一种优势,反而是一种牢不可破的负面限制。香港的实验音乐、前线声音艺术发展,正是一个活生生的例子。纵使享有比其他中国地区富饶、先进及自由的社会环境,香港却长久以来未能发展出成熟的前线音乐文化。不是没有好的乐手或乐团,只是一切都来得太零星,总无法自成气候。实验乐团及乐手如盒子、Dancinq Stone、Xpen.Xr、Slow Tech Riddim、VSOP甚至地下时
A free and fertile social environment is often not an advantage for artistic creation, but an unbreakable negative one. Experimental music in Hong Kong and front-line sound art development is a vivid example. Despite enjoying a fertile, advanced and free social environment than other regions in China, Hong Kong has for a long time failed to develop a mature frontline music culture. Is not no good musicians or bands, but everything is too sporadic, the total can not be self-contained. Experimental orchestra and musicians such as Boxes, Dancinq Stone, Xpen.Xr, Slow Tech Riddim, VSOP or even underground