第八届茅盾文学奖获得者刘醒龙的新作《蟠虺》,将文物考古的学术化融入到小说的非学术化当中,形成了以青铜器曾侯乙尊盘为叙事核心,以当代知识分子内心的坚守与现实的冲突为叙事手段的文学文本。文本所呈现出的阅读视野既悬思缭绕又紧凑真实,而文本所提供的阅读体验在阅读视野的基础之上又显示出既雄浑又清越的精深微妙之风。《蟠虺》除却惯常的小说叙事以人物为主之外,又复增了物叙事的线索,小说的情节设定与人物关系的走向无一不是围绕着曾侯乙尊盘这一春秋战国时期的青铜重器而展开的,它 The eighth novel of Mao Dun Literature Prize winner Liu Xinglong’s new work, “Panpan”, integrates the academicization of cultural relics and archeology into the non-academicization of the novel, and forms the center of narration with bronze artist Zeng Hou-bai as the narrative core, with the insistence of contemporary intellectuals The realistic conflict is the literary text of narrative means. The reading horizon presented by the text is both suspenseful and compact, and the reading experience provided by the text shows profound and subtle meanings that are both muddy and clear on the basis of reading. In addition to the usual novel narration, which focuses on figures, Poon Poo adds another clue to the narrative of things. The trend of plot setting and characters in the novels revolves around the bronze bronze of the Spring and Autumn Period and the Warring States Period Heavy and expand it, it