传统的书法史研究,通常立足于对作品真伪的判定考鉴、文献资料的爬梳剔抉,满足于目鉴与著录的一致,其中不乏视角偏狭者和方法陈旧者,故而研究难有突破。其实,换个视角看书法,或许就能打开新思路、发现新东西。盛诗澜的新著《华氏家族文化与明代书法》就是一本研究视角比较新颖的原创之作,她把书法放在家族文化的背景中考察,借大量的史实 The traditional research on the history of calligraphy is usually based on the judgment of the authenticity of the works and the examination of the documents and materials, which is consistent with the consistency between the catalogs and the records. Many of them have a narrow perspective and outdated methods, . In fact, look at the calligraphy from another perspective, perhaps we can open new ideas and discover new things. Sheng Shilan’s new work, “Fahrenheit Family Culture and Ming Dynasty Calligraphy”, is a novel and original work from a research perspective. She surveys the calligraphy in the background of family culture, borrows a large amount of historical facts