中国古代的青铜器种类繁多,形式各异。两宋之际,随着金石学的诞生,对青铜器的关注不仅成为文人雅士的一种收藏爱好,青铜器本身更成了学者探寻、考证历史真像的实物佐证。为了更好地收藏、研究、展示、传播青铜文化,不知经过了多少代人的探寻、摸索,直到清末,才出现了一种全新技艺——青铜器全形拓,使之成为西洋照相术传入中国之前的金石“影像照片”。这让原本简单、粗略的青铜器线描图或局部拓片图,有了质的变化,并且逐步衍化为了一门新颖的艺术形式。 Ancient Chinese bronze variety, different forms. The two Song Dynasty, with the birth of gemmology, the concern of the bronze not only became a collection of literati as a hobby, the bronze itself became a scholar to explore, textual evidence of historical research evidence. In order to better collect, study, display and disseminate bronze culture, I do not know how many generations of explorers and groping did not know until the end of the Qing Dynasty. Only then did a new technique emerge - that is, China before the stone “image photo ”. This allows the original simple, rough bronze line drawings or partial rubbing, with qualitative changes, and gradually evolved to a novel art form.