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林若熹在面对绘画内容与形式的问题时,把构图摆在了重要的位置。他大量运用了平面构成元素在工笔花鸟画的构图上,在他的作品中,无论画面尺幅大小,简单繁杂,他都不断尝试,精益求精,达到增之一分则多,减之一分则少。林若熹的工笔花鸟画根据画面需要和情感要求使用色彩,强调对主观色彩的提炼归纳,力求中国画最原始的质材美,给人一种浓郁的视觉张力和装饰美。还对金属材料有巧妙的运用,增强了画面的装饰效果。
Lin Ruoxi in the face of the content and form of painting issues, the composition of the picture placed in an important position. He made extensive use of the elements of plane composition in the composition of meticulous bird painting. In his works, no matter the size and complexity of the picture, he constantly tries and strives to achieve excellence by one point, and then decreases by one point less. Lin Ruoxi’s meticulous painting and calligraphy based on the needs of the picture and the emotional requirements of the use of color, emphasizing the subjective color of the extraction and induction, and strive to Chinese painting the most primitive material beauty, giving a rich visual tension and decorative beauty. Also clever use of metal materials, enhance the decorative effect of the screen.