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本课题试图提出中国现代美术合法性理论困境的解决思路,把“正名”作为20世纪中国美术研究必须面对的根本性问题,以“人类未来巨变”为基本视野,以一切从事实出发为基本态度,将关注重心从西方现代性模式转向连锁突变的现代事件本身,进而在现代性反思的基础上面对中国近现代以来最为基本的经验事实和社会背景,将“自觉”作为后发现代化国家的现代性标识,以“传统主义”、“融合主义”、“西方主义”和“大众主义”作为中国现代美术基本形态的理论构想。在肯定既有现代性原则的前提下,以上的努力旨在拓展解释框架的涵盖性和自由度,力图为中国文化艺术的未来打开自主性发展的广阔空间。
This thesis tries to put forward the solution to the theoretical dilemma of the legitimacy of Chinese modern art. Taking the “correct name” as the fundamental issue that Chinese art research must face in the 20th century, taking “the great changes in the future of mankind” as the basic horizons, From the fact that starting from the basic attitude, we will focus on the modern events that shift the focus from the western modernity mode to the interlocking mutation, and then face the most basic factual fact and social background of modern China since the modernity reflection, As the symbol of modernity after the discovery of the modernized country, “traditionalism”, “fusionism”, “westernism” and “popularism” are the theoretical ideas of the basic form of Chinese modern art. Under the premise of affirming the principle of modernity, all these efforts are intended to expand the coverage and freedom of interpretation framework and strive to open up a vast space for autonomous development of the future of Chinese culture and the arts.