论文部分内容阅读
爱、权力、剥削和压迫是贯穿法斯宾德《佩特拉·冯·康特的辛酸泪》的核心词。作为西方现存制度无情的剖析者和批判者,法斯宾德依据残酷、无爱的现实所构筑的世界模式,是一个无爱的世界。在这部中产阶级题材戏剧里,他揭露了物质富裕而精神极度贫困的中产阶级堕落、异化的生存状态,粉碎了德国战后“经济奇迹”时期虚饰的繁荣假象。在创作方法上,他模仿“情节剧”程式和表现手法,同时融入强烈的社会批判意识。情节性和间离化的共存所构成的推动力使得剧作家从容地实现了让观众“感受和思考”的目的。
Love, power, exploitation and oppression are at the heart of Fesbender’s bitter tears of “Petra von Conte”. As a merciless parser and critic of the existing Western system, Fassbinder is a world without love constructed on the basis of the cruel, non-loving reality of the world model. In this middle-class theatrical drama, he exposed the degraded and alienated existence of the middle-class affluent and extremely poor, and shattered the illusory illusion of prosperity during Germany’s post-war “economic miracle.” In the creative method, he imitates “melodrama ” program and expression tactics, at the same time into a strong sense of social criticism. The driving force behind the coexistence of plots and dissociations made the playwright calmly allow the audience to “feel and think”.