2010年,中国小说界一个非常引人注目的现象,就是如同《天.藏》《身体课》这样一批具有突出的现代主义文体特色的长篇小说的异军崛起。如果说《身体课》的文体突破,还可以简洁地表述为秦巴子以心理精神分析为文本叙事核心的方式取代了传统意义上以故事情节为叙事核心的 In 2010, one of the most dramatic phenomena in the Chinese fictional world is the rise of novels featuring prominent modernistic stylistic features such as “Heaven, Tibet and Body Course”. If we say that the style lesson of “body class” is a breakthrough, we can simply state that Qin Baizi replaced psychology analysis as the core of textual narrative in the traditional sense with the storyline as the core of narrative