托尼·莫里森的《宠儿》展示了新奴隶叙事对于奴隶叙事的重写,反映了两种文类之间的对话、交流和互相影响;以翔实的史料和历史的视角,再现了奴隶时期奴隶们悲惨的生活,见证了前奴隶自我的分裂和重建,提供了对于这个被时间和历史埋没的阶层不为人知的知识。从人物自我构成的层面上看,尽管塞斯、保罗等努力忘记过去,但被抑制的总会回返,并一次次唤醒伤痛的记忆。对于个体来说,写作是治疗这种创伤、暴力或压抑的工具,而见证文本构成了非裔奴隶重建历史和幸存的方式。 Tony Morrison’s Beloved demonstrates the rewriting of the new slave narrative for the narrative of slaves, reflecting the dialogue, exchange and mutual influence between the two genres; with a full historical and historical perspective, it reproduces the period of slavery The tragic life of the slaves testifies to the division and reconstruction of the former slave self, which provides an unknown knowledge of the class buried in time and history. From the perspective of the composition of the characters themselves, despite the efforts of Seth and Paul to forget the past, they were always repressed, and the memory of the pain was awakened again and again. For the individual, writing is a tool to treat such trauma, violence, or depression, and the testimony texts constitute the history and survival of Afro-Asian slaves.