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诗歌是纯粹的抒情文体。中国古典诗歌,大多篇幅短小。为防读者一眼望穿,诗人在布局谋篇上,常求曲折,力避平直,于尺泽中兴波,以求得在有限中滋生出绕梁三日的悠长情韵,在小诗篇中造出大文章。古典诗歌在构思布局上颇有讲究:为吸引读者,工于发端,开篇时,或音节新奇,或惊天浩叹,或拔尘痴问,或句式多变,引人入胜;为言尽意无穷,在结尾上巧于结穴,或改变句式语气,或以景结情,耐人寻味;在布局上,则法无定法,重视材料的组织顺序,讲究起承转合的结构规范,使整首诗摇曳多姿。
Poetry is pure lyric style. Chinese classical poetry, most of the short. In order to prevent the reader from looking through, the poet in the layout of articles, often twists and turns, to avoid straight, in Ze Zibo wave, in order to breed limited in a long love rhyme around the beam, made in the poem A big article. Classical poetry in the layout of the design is quite particular about: in order to attract readers, work in the beginning, opening, or syllable strange, or awe-inspiring, or pull the dust to ask questions, or sentence changeable, fascinating; At the end clever acupuncture points, or to change the tone of the sentence, or King end feelings, thought-provoking; in the layout, then the law is not fixed, attention to material organization order, pay attention to the structural rules of transfiguration, so that the whole poem swaying.