本书中采用的“整合结构”,是指戏剧演出中所有声音和形象的连接方式和总体安排。舞台整合结构是和舞台布景以及观众相对的演员视觉上的安排,尤指演员的安置和运动;声音整合结构是注入观众耳膜的有韵律或无韵律的声音之流。 舞台整合结构是导演们在历史上开始表现自己的第一个领域。即使在今天,一些导演仍然认为,对于导演艺术来说,舞台整合结构就是一切。导演们迅速接受整合结构功能这一概念,其理由十分明显:在排演中, The “integrated structure” used in this book refers to the connection and overall arrangement of all the sounds and images in theater performances. The stage integration structure is the visual arrangement of the actor as opposed to the stage set and the audience, especially the placement and movement of the actors. The sound integration structure is a rhythmic or non-rhythmic sound that is injected into the eardrum of the viewer. The stage integration structure is the director’s first field of performance in history. Even today, some directors still believe that for the director’s art, stage integration is everything. Directors quickly accepted the concept of integration of structural functions, the reason is obvious: in the rehearsal,