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美国诗人庞德曾言:“诗歌是种族的触角。”在一定程度上可以说,诗歌是一个民族文化最为精粹的表达;一个民族的诗歌与它的文化构成一种共生的关系,诗歌深深地植根于民族文化的土壤,是后者孕育和绽放的奇葩。作为中国当代诗歌中将诗歌与民族文化之共生关系予以充分呈现的一个个案,吉狄马加的意义在于,“他站在了彝族文化与世界文化之间,获得了中国众多诗人所没能具有的艺术视界和诗美空间”(叶潮《吉狄马加诗歌的文化开掘》)。为了更深入地探讨诗歌与民族文化之关联的丰富性,我们特推出这组论析吉狄马加诗歌的文章,以期诗歌与民族文化这一议题在多个层面得到展开。
The American poet Pound once said: “Poetry is the racial tentacle.” To a certain extent, poetry is the most quintessential expression of a national culture. A national poetry and its culture form a symbiotic relationship with deep poetry Rooted in the soil of the national culture, the latter is a wonderful flower blooming and breeding. As a case of the symbiotic relationship between poetry and national culture in contemporary Chinese poetry, Jidimaga’s significance lies in the fact that “he stood between the Yi culture and the world culture and won many unsuccessful Chinese poets Has the artistic horizon and poetry beauty space ”(Ye Chao“ dig culture of Jidarmaga poetry ”). In order to further explore the richness of the association between poetry and national culture, we specially introduce this group of essays on the analysis of Ji Di majia poetry, with the hope that the issue of poetry and national culture will be expanded at many levels.