月散三关胡刚(内蒙古)作者在入印文字和形制上都注重模拟的相似度,注重文字风格的统一,印面能见一些情趣,但问题是,个别地方过犹不及。古玺中存在自由变化,出之自然,一旦人工痕迹过重,斧凿之弊,造成整个品位的大打折扣,最主要的就是“散”字过度变形显得很突兀,笔画伸展尤显生硬,结构处理上不如自然安排更好,不必错位,“关”字反倒可以更夸张一点,更显意味。 Moon scattered San Guan (Gangneung) Hu Gang (Inner Mongolia) The authors focus on analogy of similarities in terms of writing style and form, emphasizing the unity of writing styles and printing surface. However, the problem is that individual places are far behind. There is a free change in the ancient seal, of course, once the manual traces are too heavy, the disadvantages of ax, resulting in greatly reduced the overall quality, the most important is “Sans ” excessive deformation is very abrupt, Structural treatment better than natural arrangements, do not have to dislocation, “off ” the word may be more exaggerated, more obvious.