广西壮族是中华民族大花园中的一朵奇葩,她根植于岭南丰厚的文化艺术土壤。广西地区在油画、国画、服装、建筑等艺术空前繁荣的时代,似乎对传统的和最具广西特色的铜鼓艺术提及的不多,美术方面的文字更是少之又少。在本世纪强调“民族的就是世界的”文化主题下,对具有民族特色的铜鼓艺术的研究颇具意义。求学于八桂大地,深深地被其民族资源的文化艺术魅力所感染,故尝试从平面构成层面对铜鼓的图案和装饰进行分析。 Guangxi Zhuang is a wonderful flower in the large garden of the Chinese nation. She is rooted in the rich cultural and artistic soil of the Lingnan. In the era when the art of oil painting, traditional Chinese painting, clothing and architecture were unprecedentedly prosperous, Guangxi seems to have mentioned little about the traditional and most Guangxi-style art of bronze drums. There are very few words on art. Under this century’s emphasis on the theme of “nationality is the world ”, the study of bronze drums with national characteristics is of great significance. Studying in the land of Bagui is deeply infected by the cultural and artistic charm of its national resources. Therefore, I try to analyze the pattern and decoration of the bronze drum from the plane composition level.