瓦内里在《鸭绿江》和《东方与西方》里论述了东方和西方的一系列对立,从而显示了这种对立的不成立之处。从瓦内里的论述,我们也得出对诗歌的定义,如同拓扑学的空间,法国人和中国人在其间并不需求相互的“了解”或是综述性的概括,而是试图去“理解”(在尊重这种空间的拓扑学运动和潜在变化的情况下) Varnelli discusses a series of antagonisms between the East and the West in “The Yalu River” and “the East and the West”, thus demonstrating the incompatibility of this opposition. From Varnelli’s argument, we also come to the definition of poetry, as the space of topology, French and Chinese in the meantime do not need mutual “understanding ” or a general summary, but to go “Understanding” (in the case of respect for topological movements and potential changes in this space)