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中国陶瓷史将唐代的瓷器烧造划分为“南青北白”的模式,南方以越窑为代表的青瓷和北方以邢窑、定窑为代表的白瓷各具自己的特色。时至宋代,定窑成为北方最为著名的门瓷产地,在当时以及以后的各个朝代均被作为仿制的对象,即使在现代,仿品亦是层出不穷,有些几可乱真。本文拟就北宋定窑器的一些特征以及当时其它窑口仿烧的定窑器、清代和现代仿烧的产品特征谈一些自己的看法。
The history of Chinese ceramics divides the porcelain burning in the Tang Dynasty into the pattern of “South North and North White”. The celadon represented by the Yue Kiln in the south and the white porcelain represented by the Xing kiln and the Ding kiln in the north each have their own characteristics. From the Song Dynasty to the Song Dynasty, Ding Kiln became the most famous door and porcelain origin in the north. At that time and in all subsequent dynasties, it was regarded as the object of imitation. Even in the modern era, imitation goods are endless and some may be spurious. This article intends to talk about some of the features of the North Song Dynasty set kiln, and other kilns at that time to imitate the kiln, the Qing Dynasty and modern imitation of the characteristics of the product to talk about some of their own views.