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民国时代的书法篆刻不管是在书写形式还是思想观念上,都不同于传统的古代书法篆刻。传统书法篆刻在古代有不少的风格流派和字体变迁,但总的来说基本上贯穿于封建社会的同一种文化模式中。而真正具有现代意味的书法篆刻形态是伴随着五四新文化运动而来的民国时期的书法篆刻。笔者将以民国时代闻一多先生的书法篆刻进而分析民国以来的新审美下的书法篆
The calligraphy and seal cutting of the Republic of China era differs from the traditional calligraphy and seal cutting in both writing and ideological concepts. Traditional calligraphy and seal cutting in ancient times, there are many styles genres and fonts, but in general basically runs through the feudal society in the same cultural model. The calligraphy and seal cutting with the modern meaning is the calligraphy and seal cutting of the Republic of China period accompanying the May Fourth New Culture Movement. The author will be the era of the Republic of China Mr. Wen Yiduo’s calligraphy and seal cutting and thus the new aesthetic since the Republic of China calligraphy seal