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中国画发展至今,自魏晋以来,不论是山水画、花鸟画,还是人物画都深深烙上了中国士大夫知识分子的思想情怀。丰富雄厚的艺术作品,展示了文人画家们高逸的情感境界和独特的艺术才华,尤其是自宋元文人画的真正确立,由原来六朝时期的宗炳、王微、顾恺之为代表的心境超前于表现的前文人画阶段,转向了心境与表现水乳交融,正相匹配的真正意义上的文人画阶段。他们寄情于笔墨,抒发情感,书中有画,画中有诗,以主观情感为
Since the development of Chinese painting, since the Wei and Jin dynasties, no matter landscape painting, flower and bird painting, or portrait painting, the ideological feelings of intellectuals in Chinese literati and physician are deeply imprinted. Rich and abundant works of art showcased the emotional realities and unique artistic talents of Gao Yi by literati painters, especially since the establishment of literati paintings in Song and Yuan Dynasties. From the original state of Zhaobing, Wang Wei and Gu Kai in the six dynasties, In the performance of the stage of the former literati, turned to the state of mind and performance of the blend, the true match of the literati painting phase. They send their love to the pen and ink to express their emotions, there are paintings in the book, there are poems in the paintings, the subjective feelings are