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人物画作为直接表现自身形象的审美手段,历史地也是现实地表征着人的生存状态和精神面貌。它的审美特殊性就在于任何形式上的创造,都是围绕着时代人的形象塑造这一命题进行的。通过这一命题,回答主体对生活的审美判断和理想追问。90年代以来绘画回归本体,关注现实生活与当下感受,注重语言探索的创作趋势正是这种反思的结果,人物画创作由此进入了新的发展时期。 在多种探索中,新写实人物画是较为引人注目的艺术现象。其优秀者广泛借鉴古今中外绘画经验,以新写实手法,
As a kind of aesthetical means to directly express one’s own image, figure painting also realistically represents the living condition and mental outlook of people. Its aesthetic particularity lies in any form of creation, all centered around the proposition of shaping the image of the times. Through this proposition, answer the subject’s aesthetic judgment and ideal questioning on life. Since the 1990s, the return of painting to the ontology, paying attention to the real life and present feelings, focusing on the creative trend of language exploration is just the result of this reflection. Thus, the figure painting has entered a new period of development. Among various explorations, the new realistic portrait painting is the more striking artistic phenomenon. The best of its extensive draw on ancient and modern painting experience at home and abroad, with a new realistic approach,