唐人楷书法度严谨,结体端庄,素来被视为楷法之典范。特别是颜真卿的楷书,如大臣冠剑,俨立庙堂,富有正大气象。它与张旭、怀素的草书共同代表了大唐帝国的繁华与鼎盛。然而,当下书坛,唐楷已经从最初的淡出展览到现在的完全退出,在预示着人们的审美观念发生巨大变化的同时,也预示着一个书法逐渐失去正大气象的特殊时代的到来。 The scriptures of the Tang Chinese are rigorous and graceful, and have always been regarded as the model of the script. Yan Zhenqing, in particular, is a regular script, such as the Minister crown sword, Yan legislation temple, full of honest atmosphere. It and Zhang Xu, Huai Su cursive collectively represent the prosperity and prosperity of the Tang Dynasty Empire. However, at the present time, Tang Kai has completely withdrawn from the initial exhibition of fading out to the present, which not only indicates that people’s aesthetic concepts have undergone tremendous changes, but also indicates the advent of a special era in which calligraphy gradually loses its clout.