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本文试图于后现代经验中应用阿多诺提出的Verfransung der Künste——艺术边界之交错这一概念来揭示当代艺术的虚假困境,阐明了当代艺术继续具有批评和启迪功能的可能性。后现代艺术可以在不放弃普遍性的同时实现非人类语言与人类和解的乌托邦。在实现上述目的的过程中,拯救素材的原始意义成为当务之急,而将批评基础植根于素材的处理而非其本身的前行上,才能避免艺术品自律性的消失,实现后历史语境下艺术对理性的超克。艺术与技术的纠缠意味着接纳世界的元素并将它们通过美学理性的转化返还给世界。从这个意义来说,边界之交错即为掩盖在倒退与停滞假象之下的艺术之前行。
This paper attempts to apply Adorno’s Verfransung der Künste - the concept of interlacing the boundaries of art in postmodern experience to reveal the false predicament of contemporary art and to clarify the possibility that contemporary art will continue to be critical and enlightening. Postmodern art can bring utopias of non-human languages and reconciliation to mankind without giving up universality. In the process of achieving the above objectives, the salvage material’s original significance has become a top priority, and the criticism is rooted in the material processing rather than its own on the go, in order to avoid the disappearance of the art of self-discipline, to achieve post-historical context Art super rational gram of gram. Entanglement of art and technology means accepting the elements of the world and returning them to the world through the transformation of aesthetics. In this sense, the interlacing of borders is the art of covering up the illusion of retrogression and stagnation.