话语是一种权力符号。后现代小说加入了被边缘化人群的声音,对经典进行解构。《福》以一个女人追寻被男性刻意抹去的文档为主要线索从不同层面对《鲁滨孙漂流记》进行改写,从女性叙述者对男性话语权的篡越、失去话语权的男性主体地位的丧失、星期五被阉割了话语权这三个方面对该作品进行解读,以此来反思历史真实性和话语权等问题。 Discourse is a symbol of power. Postmodern novels joined the voices of marginalized people and deconstructed the classic. “Fu” revises the “Robinson Crusoe” at different levels from the main clues of a woman tracing the documents deliberately erased by men. From the narration of women to the masculine discourse of men, the dominant position of men who lose their right to speak , And Friday was castrated the right to speak of the three aspects of the interpretation of the work, in order to reflect on the historical truth and the right to speak and so on.