李剑用黑色幽默的艺术手法对主流意识形态话语进行解构,其创作风格在某些方面或隐或显的影响到了阿城、王小波等后继作家,其作品也成为后来创作者的范式。本文主要以李剑的《醉入花丛》谈起,兼及其他几部作品,试图重新理清知青文学史的发展源流并对其进行更新一层的梳理。 Li Jian used the art of black humor to deconstruct the mainstream ideological discourse. The style of his creation influenced the successor writers such as Acheng and Wang Xiaobo in some aspects, and his works became the paradigm of later creators. This article mainly talks about Li Jian’s “Drunkenness and Flowers”, and several other works, attempting to re-clarify the origin of the history of the educated youth literature and to sort out the new one.