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本文从电影叙事方法和人物塑造两个方面,简要分析了电影《辛亥革命》。在场面和叙事上,张黎导演的“严谨”风格使《辛亥革命》的战争场面达到了国产电影的一流水准。电影叙事呈现明显的章节式结构,并且由一条“灭清”的主线串联全片。而在人物塑造方面,影片表现得可圈可点,孙中山、黄兴、袁世凯、隆裕以及作为西方列强代表的外国人,都可谓各展风采,在影片中受到了较为客观公正的对待,作为一部主旋律电影,这反映出一种相对开放的意识形态。
This article briefly analyzes the film “Revolution of 1911” from two aspects of the narrative method of movie and characters. In the scenes and narratives, Zhang Li’s “rigorous” style led to the “Revolution of 1911” war scenes reached the first-class domestic film. The film narrative presents a clear chapter structure, and is composed of a series of “tan”. In terms of characterization, the film has made remarkable achievements. Sun Yat-sen, Huang Xing, Yuan Shikai, Long Yu and foreigners represented by western powers are all well-known in the film and are treated more objectively and impartially in the film. The main theme of the film, which reflects a relatively open ideology.