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在本雅明的艺术思想中,有着对读者接受层面的独特认识和强调。他把作品的写作者、接受者纳入统一的阅读活动中,让接受者转化为写作的合作者,消费者转化为生产者,共同进入艺术生产的流程之中,从而形成了独特的接受理论。在20世纪以前的整个西方文论基本忽略对读者接受研究的情况下,他的这一理论开启了西方文论中读者研究的先声。
In Benjamin’s artistic thought, he has a unique understanding and emphasis on the level of reader acceptance. He formed a unique theory of acceptance by incorporating writers and receivers of works into a unified reading activity, transforming recipients into collaborators of writing, and consumers into producers and into the process of art production. When the entire western literary theory before the 20th century basically neglected to accept the research of readers, this theory opened the prelude to the readership research in western literary theory.