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“无”是文学与哲学的“通用性”质素,显示着文学与哲学的交融互渗。“无”在文学家的文学创作、文学作品、读者接受中占据重要地位,各类文学体裁都须有“无”的参与,“无”备众文论之神髓。“无”亦是中国传统哲学思想的重要组成部分,是其中最精妙和最具代表性的实质性成分之一。“无”游走在文学与哲学之间,启示着具有鲜活生命力和无限发展空间的“有”。
“No ” is the “versatility ” quality of literature and philosophy, showing the integration and infiltration of literature and philosophy. “No ” occupies an important position in the literary creation, literary works and reader acceptance of literary works. All kinds of literary genres must have “no ” participation, “no ” the essence of prepared literary theory. “None ” is also an important part of Chinese traditional philosophy and one of the most subtle and representative substantive elements in it. “No ” wandering between literature and philosophy, enlightenment has a fresh vitality and unlimited space for development .