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本文既从版刻园林图像的宏观层面解析,亦从《宋词画谱》作品个案的抽取着手,基于“世俗”的宋词与园林、“参照”的图像与造园、“世界”的观察与建构、“图像”的复原与设计四个层面,审视了“词”、“画”、“园”三者之间内在的设计关联性,认为这些零散地流布在各类画谱、戏曲小说等典籍中的插图,在事实上则承担了中国经典造园学图绘文本载录的“历史记忆”功能。
This paper not only analyzes from the macroscopic level of engraving garden image, but also draws from the case of Song Ci Paintings, based on the images and gardens of Songs and Gardens, “Reference ”And the“ image ”of the restoration and design of four levels, examining the “ word ”, “ painting ”, “ garden ”the inherent design of the relationship between the three, that these The illustrations scattered in various types of picture books, dramas and novels, in fact, assume the function of “historical memory” contained in the pictorial texts of classic Chinese garden books.