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香港电影的文化登“陆”战,不仅诉说着香港人在内地经济崛起背景之下新的身份焦虑和定位,而且重构着当下中国新主流文化的想象。如果说1980年代以来以香港电影、流行音乐为代表的大众文化作为一股强劲的南来之风深刻地改变了后革命时代中国的文化景观及记忆,那么新世纪以来香港电影与内地电影的全方位融合所产生的华语电影则成为中国崛起时代的文化表征。这些香港电影的文化登“陆”战,不仅诉说着香港人在内地经济崛起背景
The culture of Hong Kong films is not only about the new identity anxieties and positioning of Hong Kong people under the background of the economic rise in the Mainland, but also the imagination of the contemporary Chinese new mainstream culture. If the mass culture represented by Hong Kong films and pop music since the 1980s has profoundly changed the cultural landscape and memory of China in the post-revolutionary era as a powerful southward wind, Hong Kong films and movies in the Mainland since the beginning of the new century Chinese film produced by the integration of orientations has become the cultural representation of the rise of China. The culture of these Hong Kong films is not only about the economic rise of Hong Kong people in the Mainland