论文部分内容阅读
在2007年我和吉磊初次见面时,他当时正困惑于是否继续那些表现都市废墟和搜救的“迷行”系列。同样当时我看到了更早的“传说”系列,说实话,这些幼稚的使用那些革命时代的纪念碑这一类的时髦符号的作品并没有引起我的兴趣。因为我多少警惕中国当代艺术中的象征主义倾向。在我看来,这种象征主义的倾向是现实主义的投机版本。它将当代艺术应有的观念成分简化为一种视觉符号,并给予廉价的艺术市场以可乘之机。但是,
When I first met with Ji Lei in 2007, he was at a loss as to whether to continue the “fancy” series of depicting urban ruins and search and rescue. Also I saw earlier “Legend” series, to be honest, these naive use of those revolutionary symbol of the monuments of the revolutionary era works did not arouse my interest. Because I’m somewhat wary of the symbolism in Chinese contemporary art. In my opinion, this tendency of symbolism is a speculative version of realism. It simplifies the concept elements of contemporary art as a visual symbol and gives the cheap art market an opportunity to take advantage of. but,