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意境说与典型论是中国与西方文学艺术独具的审美核心,有着深厚的社会历史与思想理论渊源。本文通过分析比较呈现出两者的迥异色彩:典型论偏重于客观再现,意境说偏重于主观表现;典型论偏重于描绘人物形象,意境说偏重于描绘境物形象;典型论求真,意境说求美;典型化的方法是分析综合,意境的诞生是酝酿感悟。有意思的是,这些不同之处,都恰恰是中西文艺家们对艺术美的本质,对艺术之生命的共同探索的结晶。
Artistic conception and typicalism are the unique aesthetic cores of Chinese and Western literature and art. They have profound social, historical and ideological and theoretical origins. This thesis presents the different colors of the two by analyzing and comparing: the typicalism emphasizes on the objective reproduction, the artistic conception emphasizes on the subjective expression, the typicalism emphasizes on portraying the figure’s image, the mood on the scene emphasizes the portrayal of the object’s image, the typicalism on the truth, Seeking the United States; typical method is to analyze the synthesis, the birth of the mood is brewing sentiment. What is interesting is that these differences are just the result of the common exploration of the essence of art and the life of art by both Chinese and western artists.