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香港摄影家陈复礼的作品《苍涛》,利用当时的迷天大雾,对几株劲松作了重抹轻描,虚虚实实的勾画,象画家用墨,虽然寥寥数笔,却表现出青松的苍劲挺拔,生意盎然的体态。粗状的躯干潇然挺立,好象在对狂风浓雾挑战;画面上不仅让我们看到浓雾的翻腾滚动,也似乎能听到飒飒的苍涛之声,给人以无穷的回味。
Hong Kong photographer Chen Fu-li’s work, “Cangtao,” made use of the fog of the time and gave several sketchy descriptions of several strains of Jinsong. Although painters used ink, though only a few pens, they showed Ching Chung The vigorous, business-like body. Rough torso Xiao Ran stand upright, as if in the fog of the fog challenge; screen not only allows us to see the tumultuous fog rolling, it seems to be able to hear the whisper of the Tao Tao, giving endless aftertaste.