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弹琴人最容易犯的指法毛病就是重视“音”而忽视“韵”。就是手指在弦上移动时,前一个指法做对了又害怕下一个指法做不好,忙于起指做下一个指法的准备,这样音是有了余音(韵)就断了,就产生音与音脱节,无形中音与音之间加了一个“0”休止符,破坏了乐曲的完整性。另一种易犯的指法病,就是用指不当,不会掌握变换手指的方法和一指按多弦的技法,也同样会使旋律断断续续无感情。为使琴
The most vulnerable singers fingering problems is the emphasis on “sound” and ignore the “rhyme.” Is the finger moves on the chord, the previous fingering is right and afraid of the next fingering is not good, busy fingering to do the next fingering preparation, so that the sound is a sound (rhyme) is off, it produces sound and Tone out of touch, invisible sound and sound plus a “0” rest, undermining the integrity of the music. Another easy to make fingering disease, that is, improper use, will not grasp the method of changing fingers and a multi-string string technique, the same will make the melody off without emotion. To make the piano