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当代英国女作家玛格丽特·德拉布尔的近作《红王妃》以女性主题结合双重时空的叙事结构而别具一格。本文试以后现代主义戏仿艺术为切入点,分别从另类的“弑父情结”、女性境遇的颠覆与重复、超越母亲的传统等三个方面探讨跨文化语境下女性精神突围的文本策略。
The contemporary British princess Margaret Drabble’s “Red Queen” is uniquely based on the theme of women combined with the dual time-space narrative. This article tries to use the parody art of modernism as the starting point and explores the transcendental versions of the female spirit in three aspects: alternative “fatherhood”, subversion and repetition of the female situation, and transcendence of the mother’s tradition Strategy.