这是本刊的北京读友刘万友寄来的一件书法作品。通观这件行草书:它将贾长江的一首七律书写为三行。在字的大小和字距与行距的疏密上作了一番安排,其章法甚为合理。这是该作最大的优点。作者在题款、钤印等方面也处理颇为妥当,确保了作品在艺术上的完整性。这是该作的又一优点。 行草书追求书写的自然与自由,但又不可违背书法艺术的表现对象——,汉字本身的规范性。这件作品中的“孤”、“客”、“夜”、“旧”、“逢”、“战”、“堪”、“声”等字就写得既正确且美观,而“犹”、“见”、“昼”、“色”、“随”和“远”、“眠”、“心”、“生”、“长”等字则写得或结体不合规范、或点画不甚美 This is a calligraphic work sent by our friend Liu Wan-you in Beijing. Throughout this line of cursive script: It will be one of the Jia Qijiang seven letters written for the three lines. In the word size and spacing and spacing density made some arrangements, the chapter is very reasonable. This is the greatest advantage of this. It is quite appropriate for the author to deal with inscriptions, stamps, etc., ensuring the artistic integrity of his works. This is another advantage of this work. The cursive cursory pursues the nature and freedom of writing, but it can not violate the performance object of calligraphy - the normative character of Chinese. The words “solitary”, “customer”, “night”, “old”, “every”, “war”, “can” and “sound” in this work are both correct and beautiful. , “See”, “day”, “color”, “with” and “far”, “sleep”, “heart”, “health”, “long” and other words are written or knot irregularities, Very beautiful