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文章以巴赫弦乐作品《恰空》为例,分析布索尼的改编版本,重点论述《恰空》的改版对巴赫音乐的创新理解与阐释,对二度创作的更新认识。
Taking Bach ’s music “QiaKong” as an example, the article analyzes the adaptation edition of Bassoni, focusing on the innovative understanding and interpretation of Bach music through the revision of “QiaKang” and the update of second degree creation.