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20世纪20年代郭沫若、田汉创作了以抒写主观情志为主要特征的话剧语言方式。这种话剧语言方式既纠正了现代话剧语言发展之初的偏向,又初步确立了写意话剧语言范式,还接续了传统戏剧写意语言血脉。
In the 1920s, Guo Moruo and Tian Han created a dramatic language mode characterized by expressing and expressing subjective feelings. This kind of drama language not only corrected the bias of the beginning of the development of modern drama language but also initially established the language paradigm of freehand drama and also followed the bloodstream of the freehand language of traditional drama.