宋元话本的视角是男性的叙事视角 ,贯彻着男权中心主义与封建文化在文学领域的紧密结合策略 ,共同实现着对女性的文本统治。宋元话本中并不存在严格意义上的女性视角 ,无论是叙事者还是被叙述者 ,凝聚在文本状态的心理视角都是漠视女性的主体性而代之以他者期待性评判 ,是男性中心文化的霸权原则和叙事体系的执行与再现。文本在组构过程中受到了叙事视角强有力的操纵 ,叙事者以无所不能的神通定义着话本视角的聚焦范围 ,从而有效控制了对读者视角的方向性引导 ,并反作用于叙事本身 ,使之进一步严谨地构建起文本的男性叙事视角。 The visual angle of the Song and Yuan dialects is the narrative perspective of men, implementing the close combination of patriarchal culture and feudal culture in the field of literature, and jointly realizing the textual domination of women. The Song and Yuan dialects do not exist in the strict sense of the female perspective, both the narrator or the narrator, condensed in the text state of the psychological perspective are ignoring the subjectivity of women and replaced by the other who is expected to judge, is male The Centralized Principle of Hegemony and the Execution and Reproduction of Narrative System. The text is strongly manipulated by the narrative perspective in the process of fabricating. The narrator, with omnipotent powers, defines the focused scope of the book’s perspective so as to effectively control the direction of the reader’s perspective and counter-act on the narrative itself, So that it can further construct the male narrative perspective of the text.