两宋三百余年是中国雕版印刷空前繁荣的时期,为后世留下了一大笔宋椠文献,其数量“当有数万部”。历经千年播迁,现存仅有三千余部。宋刻本作为中华民族最为宝贵的文化遗产,摸清其存世现状、确切数量及始末源流,研究其丰富的文化内涵及学术价值,对国家正在倡导的抢救与整理流失的中华典籍,当有重要的历史和现实意义。通过整理这些宋椠,文章认为应重视出土宋刻本的整理与研究,域外所藏宋刻本尚有很多未能得到充分研究和利用,国内所藏亦有很大的研究空间。 Three hundred years of the two Song dynasties were an unprecedented period of prosperity for Chinese engraving printing, leaving behind a large number of Song dynasty writings for later generations. Their number is “when there are tens of thousands of dynasties.” After thousands of years of relocation, there are only about 3,000 existing ones. As the most precious cultural heritage of the Chinese nation, Song Dynasty scrutinizes its existing state, exact quantity, origin and origin, and studies its rich cultural connotation and academic value. When it comes to the Chinese classics that the state is advocating to save and organize the loss, Historical and practical significance. By sorting out these poems, the article thinks that we should pay attention to the sorting out and research on the unearthed Song Book. There are still a lot of books in the Song Dynasty outside the domain that have not been fully researched and utilized. There is also a great research space in the country.