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二十世纪的四川成都书法篆刻,初从晚清流变出来,到了民国以后,书风大变,印风也随之大变,出现了一大批不仅在巴蜀极富影响而且在全国获得很高声誉的书法篆刻家,蜀印锦书由之广被国中。进入二十一世纪以来,研究过去,知古鉴今,渐渐成为当下的怀古之风,对于书法篆刻创作是大有促进作用的。本文以综述和书法篆刻家个人事略为线索,初步尝试这种叙述方式来研究二十世纪四川成都书法篆刻艺术史。二十世纪四川成都书法篆刻名家不仅仅限于书法篆刻家本人,对该书法篆刻家创作起了决定性因素的其他人物酌情予以收入,这对于理解人物之所以成为艺术家及其相关社会关系,有一个较为立体的认识和理解。
Twentieth century Chengdu, Sichuan calligraphy and seal cutting, early rheology from the late Qing Dynasty, the Republic of China, the drastic change in style, Indian style also followed a drastic change, there has been a large number not only in Bashu very influential but also received a high reputation in the country The calligraphy and seal cutting, Shu printing book by the wide by the country. Since entering the 21st century, studying the past and learning from ancient times has gradually become the nostalgic style of the present day, which greatly promotes the creation of calligraphy and seal cutting. This article, taking the summary and the personal story of calligraphy and seal cutting as a clue, tentatively tries this way of narration to study the art history of calligraphy and seal cutting in Chengdu in the 20th century. The 20th century, Chengdu, Sichuan calligraphy and seal cutting masters not only limited to the calligraphy and seal cutting home, the calligraphy and seal cutting home creation played a decisive factor in other people’s income, which is to understand the reason why people become artists and their social relations, there is a more Three-dimensional understanding and understanding.