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国内的文学人类学一派新提出的文化理论称为“N级编码论”。将文化视为一种历史地生成的文本状态:其最初编码,即一级编码,指先于文字的符号,如口头话语歌谣、结绳记事、《易》之卦与象、彩陶或玉石器雕刻等。汉字是作为二级编码出现的,距今三千多年。文字要比一级编码晚得多。把《尚书》《诗经》等早期经典文本,作为三级编码;又将汉代以后的所有作品视为N级编码,直到当今。文化文本不再是僵固的,而是一个联系着史前时代与未来时代的现在进行时,是一个从远古走来的、至今仍在延续的活态的再编码过程。从一级编码到N级编码的全程看,文采的问题也就自然出现分级认识的需要。最早是口语修辞和图像之彩,其次是象形字书写之形彩,再次是文字形式排列之美。
The cultural theory newly proposed by domestic literary anthropology is called “N-level coding theory.” Culture is considered a historically generated textual state: its original code, or first-level code, refers to symbols preceded by words, such as spoken words, ballads, jingles, elephants and icons, painted pottery or jade carving Wait. Chinese characters appear as a two-level code, dating back 3,000 years. Text is much later than level one. The “Shangshu” “The Book of Songs” and other early classic texts as a three-level coding; again after the Han Dynasty all works as N-level coding, until today. Cultural text is no longer a rigid one, but a present re-encoding process that has been going on since the ancient times and continues to be still in existence when it is in contact with the prehistoric times and future times. From the first level of coding to N-level coding of the whole look, Wen Cai’s problems naturally arise in the need for grading. The earliest oral rhetoric and image of the color, followed by hieroglyphics writing color, again the arrangement of the text of the United States.