电影《高兴》呈现了与塞万提斯的小说《堂吉诃德》极为相似的叙事模式:都采用了二元对立的人物构架;都进行了一场“冒险”之旅。影片中,刘高兴的“个人奋斗”历程构成了一种类似“美国梦”的“中国梦”形态,深刻地展现了中国当代社会文化价值的转型,这似乎告诉人们:只有靠“个人奋斗”这一滴血才能解除由此而来的“都市陌生者”的魔咒。 The film “Pleasure” presents a model of narrative very similar to that of Cervantes’s “Don Quixote”: both adopt the dualistic character framework; all undergo an adventure of “adventure.” In the film, Liu’s “personal struggle” course constitutes a kind of “Chinese dream” form similar to “American Dream,” which profoundly demonstrates the transformation of the cultural value of China’s contemporary society. This seems to tell people: Only by this “personal struggle ” this drop of blood in order to relieve the resulting “city strangers ” spell.