八十年代,张艺谋的《红高粱》在上海少年宫剧场试映时,同场放映的还有周晓文的《最后的疯狂》——一个罪犯与社会所作的徒有其表的顽抗。谁都知道他的最终结局,这种结局为电影史和审查制度所预设。这两部由边远省份的制片厂所出品的影片,获得了出乎意料的热烈反响。不到十年时间,地点(或日场景)移到了上海最豪华的影城,凑巧 In the 1980s, when Zhang Yimou’s “Red Sorghum” was previewed at the Shanghai Children’s Palace Theater, there was Zhou Xiaowen’s “Last Madness” - a disciple committed by criminals and society. Everyone knows his final outcome, which is presupposed by cinema history and censorship. The two films produced by studios in remote provinces received a surprisingly warm response. In less than a decade, the place (or day scene) moved to the most luxurious cinema in Shanghai