一出以色列的《安魂曲》丈量了中国戏剧与西方杰作的距离,当站在巨人契诃夫肩膀上的时候,无论我们是选择《普拉东诸夫》还是《樱桃园》,都仅仅是解决了文本上的自信,至于如何用舞台元素去提炼契诃夫的诗意,不啻是一个艰难的过程。 An Israeli Requiem measures the distance between Chinese drama and Western masterpieces. When standing on the shoulders of the giants Chekhov, no matter whether we choose to be “Pulandong” or “Cherry Orchard” Is to solve the text of the self-confidence, as to how to use the stage elements to extract Chekhov’s poetry, is not a difficult process.