《庐山高》取法为宋、元文人画传统,故精力专注,极为杰出。画中山石林木笔法全仿王蒙,益以本身功力,更觉浑朴雄健。几无空处,山石融合了王蒙的解索皴与董源、巨然的披麻皴法,先以淡墨层层皴染,再施以浓墨逐层醒破。笔法稳健细谨,不恣意逞任,用墨浓淡相间,于满幅布局中有疏朗之感,故觉实中有虚。而画悬泉百丈直泻冲下,涧水轻柔,云光山色极为精彩。 “Lushan high” method for the Song, Yuan Dynasty literati painting tradition, so concentrate, very outstanding. Painting Zhongshan stone wood pen imitation Wang Meng, benefits to their own skill, but also feel Hun Pak male health. Few without a vacancy, the integration of the mountain of Wang Meng and the source of the solution of Dong Yuan, Ju Ran Phi Ma law, the first layer of light ink stained dye, and then impose a thick layer of ink to wake up. Fine and meticulous writing style, do not want to succeed, with ink thick and white, full layout in the sense of a lonely, so I feel real in the virtual. Baizhang hanging baizheng Zhizi washed down, Jianshui gentle, very beautiful clouds.